1894 - 1955
By Rabbi Geoffrey Shisler
Kidnapped as a young child, 'discovered' while working in a factory,
feted as one of America's top line Cantors, and stricken down at the age
of 40. Truly the stuff of a great novel, and if the recorded history
is to be believed, Joseph Shlisky had one of the most theatrical lives
of all the Chazanim recorded here so far.
Born in Ostrowce, Poland, like so many young Jewish boys who could sing,
Joseph Shlisky joined the local Shul choir as a small child. At the
age of seven he was virtually kidnapped by the Chazan, who told his
parents that he was taking him on a tour to London, but actually went
to Toronto instead.
After escaping from the clutches of this unscrupulous Chazan, he
eventually found a home with one of his uncles, who had emigrated
Shlisky never thought about a musical career until, one day, whilst
working in one of the factories of T. Eaton. Co, he was heard singing by
Lady Eaton. She was so impressed by his voice that she sponsored his
training at the Royal Conservatory in Toronto.
When he gave his first public performance in New York City in 1919,
the critics were very enthusiastic about him.
In 1920 Joseph heard that the Slonimer Synagogue was looking for a Chazan
for the Yamim Noraim and he went to the President's leather factory
to audition! Needless to say, he got the position and remained at that
Shul for a further two years.
For the rest of his singing career, he held posts at various leading
new York Synagogues, giving numerous concerts, appearing on radio and
He brought his parents over to live with him in the USA.
Shlisky was signed up to appear with the San Carlo Opera Company but,
like so many other outstanding Chazanim, eventually declined because it
would have entailed him breaking Shabbat and Yom Tov.
It is said that, owing to his own experiences as a child, he was always
very helpful towards Chazanim who were recently arrived in the country,
and would often appear at charity and benefit concerts for them.
Sadly, when he was at the very peak of his career, after Pesach 1934,
he suffered a paralytic stroke, and never sang again.
Shlisky did not record a great number of pieces but fortunately, we do
have a fair representation of his art.
He had a very high tenor voice, with a most extraordinary flexibility.
He was able to change from the highest, most beautiful falsetto, into full
voice, with consummate ease and he used this facility most effectively
in many of his pieces.
Shlisky's style, and the timbre of his voice, were very distinctive.
He truly was one of the 'greats' of the Golden Age of Chazanim.
© Copyright Rabbi G. Shisler
Keywords: Joseph Shlisky, Josef Shlisky, biography.